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Ripple painting Acrylic on Velvet Canvas Sand Laurenson

I work across painting, drawing, mixed media, print and object-based sculpture, allowing the material and the idea to determine the form.

Particle a drawing in 35 parts Artist Sand Laurenson

My practice returns repeatedly to pattern, repetition and accumulation, testing how fragility and endurance can coexist within a single work.

Much of the work is built through repeated mark-making and the slow development of surface. These dense, textural patterns invite prolonged looking, sometimes through attraction and curiosity, and at other times through a sense of unease. Meaning is not fixed but emerges through recurrence, variation and close attention.

'Fester' Detail Mixed Media sand laurenson 2024

In my sculptural work, I often use everyday objects that carry traces of touch — what might be called a human residue. Earlier or discarded works are frequently broken down and re-used, allowing one form to be consumed in the making of another.

Cruel T Artist Sand laurenson
Playing with Dolls Artist sand laurenson

This process of transformation runs throughout the practice, with mixed media and digital works often generated from previous pieces, extending their material life into new configurations.

Bell Jar

Process is central to how the work develops. Rather than aiming for resolution, I am interested in what is revealed through making itself — in the slow testing of materials, limits and form. The work does not seek to explain itself fully, but to hold attention long enough for something quieter to surface.

My work has been shown in a range of gallery and non-gallery contexts, including a three-month window installation at Selfridges, London. During the lockdowns in 2021, I collaborated with Garrard of London, producing 200+ bespoke hand fans for the Fanfare Symphony jewellery launch in 2022.

Sand Laurenson for Garrards of London Fanfare Symphony Collection 2021

Recently, I exhibited work from the Abracadabra series as part of the Coastal Currents art event.

My practice continues as an open-ended process, shaped by repetition, material testing and return. The work does not seek resolution, but remains attentive to what unfolds through making.

Abracadabra Chained No.1
Armoured Eggshells Artist Sand Laurenson Drilled Ostrich Eggshell

For further information regarding exhibitions, commissions or enquiries, please use the contact page.

Artist Sand Laurenson Nepal Himalayas

Fine Art

Middlesex University

(BA Hons, 1996–1999)

 

Completed Fine Art postgraduate study at the Royal Academy Schools, London (2001–2004).

Sand Laurenson  Contemporary artist
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© 2026 Sand Laurenson

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